![]() ![]() However, there is a serious storage issue. I've been investigating the P2 stuff recently (because of an upcoming gig), and it seems fairly doable. Then you have all the more reason to explain your clients (and their DP's): we did elaborate testing and concluded that a proper workflow involves the creation of tape dubs. There's even DNxHD36 that will give you the option to offline in HD, at reasonable bandwith (comparable to 3:1 or DV).Īnd even more so, after testing you might draw the conclusion that it is a better workflow (for you or anybody else involved) to create HD tape dubs from the files. If they shoot 23.976 HD, it should be easy for you to offline in 23.976 (HD) as well. However, it might be interesting to do some research and testing to see how easy or complicated it is to handle an HD workflow. I don't think it's an unreasonable request by you per se. After the dust settles on this current job, I'll start doing more test with the files and such to see if it is even right for us. But I know what I feel more comfortable working on and what best protects my clients. They need to get the film developed and create dailies for me. The editor? I’m not cool with that personally. Are these guys just trying to do less in the end and put it on And tracking downĪ master from storage is much more realistic than tracking down mediaįiles. Undoubtedly will revisit the footage at a later date. That they give the footage onto an HD master.Īm I wrong to ask for a Master format over media files? It is in theīest interest of my work flow as well protecting my client as they ![]() Were pretty rude and told me to get with the times. I asked them to get the files to an HD master (HDSR) and they This because they are HD Native files 23.98 that need to be convertedįor me to work with in SD 29.97, and subsequently conformed in FlameĪnyway. His files straight from the HD video camera. Had a couple jobs come up recently where the “DP” wants to give me With the advent of the HD video camera that creates files my company and I are beginning to see more medium range jobs come our way where they shoot with HD Video/Files as apposed to on film. I have always worked from SD dailies for either SD finish and or HD/SD finish in Flame or Smoke or the like. ![]()
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